{"product_id":"scott-hamill-paint-mountains-with-energy-subhead-new-zealands-southern-alps-in-oil-or-a-new-zealand-landscape-in-oil","title":"Scott Hamill: PAINT MOUNTAINS WITH ENERGY - A New Zealand Landscape in Oil","description":"\u003cp\u003e\u003cspan lang=\"EN\" style=\"font-size: 15.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-fareast-font-family: Calibri; color: black; mso-ansi-language: EN; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eDVDs ship in 10-14 business days\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- split --\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cb\u003e\u003cspan lang=\"EN\" style=\"font-size: 16.0pt; line-height: 115%;\"\u003eWatch Award-Winning Artist Scott Hamill Paint New Zealand’s Towering Southern Alps With One Brush for 90% of the Work — Using \"Controlled Omission\" to Create Mountains That Actually Breathe!\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eAward-winning artist Scott Hamill is going to show you how to turn overwhelming mountain scenery into oil paintings full of depth, atmosphere, and energy with a simple reversal of the part most landscape painters get wrong.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eIt’s the “feel first” order of operations, and it changes everything downstream of it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eInside \u003cb\u003e\u003ci\u003ePaint Mountains With Energy: A New Zealand Landscape in Oil,\u003c\/i\u003e\u003c\/b\u003e Scott demonstrates something most landscape painters have never been shown: the reason a mountain painting feels vast and alive has almost nothing to do with how much detail you put in ... and everything to do with how much you deliberately leave out.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cb\u003e\u003ci\u003e\u003cspan lang=\"EN\"\u003e“Don’t paint what the mountain looks like. Paint what the mountain did to you.”\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN\"\u003e\u003cbr\u003e\u003cspan style=\"mso-tab-count: 9;\"\u003e                                                                                                            \u003c\/span\u003e— Scott Hamill\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eMost painting instruction teaches you to add. Scott teaches you to subtract. And he proves it, by standing in front of a scene so complex it should be impossible to simplify ... and showing you exactly how.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eHe paints one of the most overwhelming alpine views on earth ... the Dart River valley looking toward Mount Chaos and the Cosmos Peaks in New Zealand’s Southern Alps ... with a single #12 synthetic flat brush for 90 percent of the work. One vista. A limited palette. Bold shapes. No fussy details.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eThere are no individually rendered rocks on those far peaks. No tree-by-tree accounting of the slopes. No photographic precision in the snow. Scott built this painting from years of painting outdoors in mountain weather, with a New Zealand mentor who spent decades learning to see the Southern Alps as light, temperature, and edge, and from a feeling he chose to protect before the first brushstroke.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eOnce you’ve watched the full demonstration, you’ll stand in front of your own mountain scenes and see big shapes, value families, and atmosphere ... instead of a thousand details so overwhelming you don’t know where to begin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN\" style=\"font-size: 14.0pt; line-height: 115%;\"\u003eWhat You’ll Discover Inside:\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003c!-- [if !supportLists]--\u003e\u003cspan lang=\"EN\"\u003eHow to feel the scene before you paint it. It’s the “backward” order of operations that changes everything about your mountain landscapes...\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eWhy one #12 synthetic flat brush handles 90 percent of the painting, and why that “limitation” is the fastest path to bold, confident brushwork...\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eHow to simplify an overwhelming alpine panorama into a handful of big shapes before you ever touch paint to canvas...\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eThe truth about distant mountains: a far ridge isn’t simply “lighter.” It’s cooler, lower in contrast, softer at every edge, and shifted toward the temperature of the sky itself...\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eHow to “squint the mountain down” to its essential value structure in minutes ... so you know the painting works before you invest hours...\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eWhy your carefully rendered rocks and ridges are actually collapsing the depth in your painting ... and the simple fix that restores it...\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eHow to lock in your darkest darks first, creating a value foundation that holds the entire painting together...\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eThe warm-to-cool temperature shifts that tell the viewer’s eye exactly how far away each ridge is...\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eWhy the air between you and the summit isn’t empty. It’s blue. It scatters light. And it changes everything that sits behind it...\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eHow to design your composition around light and dark families, a focal path, and a focal point that pulls the viewer into the painting...\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eThe difference between squinting and blurring, and why both matter for different reasons...\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eWhy the most important brushstroke in a mountain painting is the one you don’t go back and “fix”...\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eHow to paint mist, altitude light, and the blue atmosphere that lives in the gaps between ridgelines...\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eScott’s “fresh eyes” finishing technique ... the question he asks before any final mark that prevents the most common mistake in landscape painting...\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eHow to paint alpine reflections without overworking them into muddy silence...\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eWhy painting what a mountain looks like and painting what a mountain does to you are two completely different skills ... and which one viewers actually respond to...\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003e...and so many more insights from a painter whose own life was changed by the landscape he’s teaching you to paint!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12pt 0in; text-align: center;\"\u003e\u003cb\u003e\u003cspan lang=\"EN\" style=\"font-size: 16.0pt; line-height: 115%;\"\u003eMeet Your New Instructor, Scott Hamill!\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eBorn and raised in California, Scott Hamill grew up between the Pacific Ocean and the Sierra Nevada. Surfing. Fishing. Backpacking. Canoeing. He has spent his life in landscapes that move ... water, light, weather, altitude.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eBut he didn’t become a painter first. He became a physical therapist. A good career. Steady work. The brushes he’d used when he was younger went into a drawer, and the drawer stayed closed for a long time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eHe picked up plein air painting seriously at 43. Not as a hobby. As a commitment. What he calls “brush mileage” ... painting the same subjects again and again, outdoors, in real weather, until the hand starts to know things the mind hasn’t caught up with yet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eIn 2010, Scott flew to New Zealand to fish for brown trout on the South Island. One afternoon in Glenorchy, a small town at the foot of the Southern Alps, he walked into a gallery. On the walls were large plein air paintings by a New Zealand artist named John Crump. Bold. Fluid. Mountains reduced to clean color, big shapes, and confident brushwork. Nothing overworked. Nothing timid. Every canvas felt like a window left open to cold alpine air.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eScott met Crump. He bought a painting and an instructional video. He flew home. And he pulled out the easel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eHe returned to New Zealand. Studied with Crump. Painted alongside him. Learned to see the way Crump saw ... not the inventory of a landscape, but the feeling of it. The weight of the light. The temperature of the distance. The architecture underneath the beauty. And the more he painted outdoors, the more he understood what separates a painting that describes a place from a painting that puts you there: knowing what to leave out.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eToday, Scott is an Artist Member and Monterey Chapter Co-Chair of the California Art Club and a Signature Artist Member of the Laguna Plein Air Painters Association. His \u003ci\u003eRedwood Solitude\u003c\/i\u003e received the Modern Impressionist Award of Excellence at the California Art Club’s 114th Annual Gold Medal Exhibition in 2025, and his \u003ci\u003eWilder Meadows\u003c\/i\u003e was selected for the 115th. He was invited to the 2024 and 2026 Laguna Beach Plein Air Invitationals. \u003ci\u003ePleinAir Magazine \u003c\/i\u003efeatured his work and his New Zealand connection in “Finding Inspiration on the Other Side of the World” in the February\/March 2025 issue. His painting gear fits into a backpack, his palette is deliberately small, and his go-to brush is a single #12 synthetic flat that handles 90 percent of the work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eBut what his students tend to mention first isn’t the awards or the gear. It’s that he paints beside you, not above you. He explains what he sees while he’s seeing it. He’s warm, funny, energetic, and specific. And he teaches from the memory of starting late ... not from a pedestal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cb\u003e\u003cspan lang=\"EN\" style=\"font-size: 16.0pt; line-height: 115%;\"\u003eChapter Breakdown\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 style=\"margin-top: 14.0pt; mso-pagination: widow-orphan; page-break-after: auto;\"\u003e\n\u003ca name=\"_ujky9lghsowv\"\u003e\u003c\/a\u003e\u003cb\u003e\u003cspan lang=\"EN\" style=\"font-size: 13.0pt; line-height: 115%; color: black;\"\u003ePART 1: Setting the Stage\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eIntroduction\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0057\/8161\/8732\/files\/CH00_Intro_480x480.jpg?v=1790255224\" alt=\"\" style=\"margin-bottom: 16px; float: none;\"\u003e\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003e\u003cbr\u003eMaterials \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 style=\"margin-top: 14.0pt; mso-pagination: widow-orphan; page-break-after: auto;\"\u003e\n\u003ca name=\"_op6lifvh63qq\"\u003e\u003c\/a\u003e\u003cb\u003e\u003cspan lang=\"EN\" style=\"font-size: 13.0pt; line-height: 115%; color: black;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0057\/8161\/8732\/files\/CH01_Materials_480x480.jpg?v=1790255257\" alt=\"\" style=\"margin-bottom: 16px; float: none;\"\u003e\u003c\/div\u003e\n\u003ch3 style=\"margin-top: 14.0pt; mso-pagination: widow-orphan; page-break-after: auto;\"\u003e\u003cb\u003e\u003cspan lang=\"EN\" style=\"font-size: 13.0pt; line-height: 115%; color: black;\"\u003e\u003cbr\u003e\u003cbr\u003ePART 2: The Demonstration\u003c\/span\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003eThe Approach\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0057\/8161\/8732\/files\/CH02_Approach_480x480.jpg?v=1790255285\" alt=\"\" style=\"margin-bottom: 16px; float: none;\"\u003e\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003e \u003cbr\u003eTone \u0026amp; Compose\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0057\/8161\/8732\/files\/CH03_ToneandCompose_480x480.jpg?v=1790255399\" alt=\"\" style=\"margin-bottom: 16px; float: none;\"\u003e\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003e\u003cbr\u003eLock in the Darks\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0057\/8161\/8732\/files\/CH04_LockinDarks_480x480.jpg?v=1790255427\" alt=\"\" style=\"margin-bottom: 16px; float: none;\"\u003e\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003e \u003cbr\u003ePaint the Lights\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0057\/8161\/8732\/files\/CH05_PaintLights_480x480.jpg?v=1790255455\" alt=\"\" style=\"margin-bottom: 16px; float: none;\"\u003e\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003e \u003cbr\u003ePaint Water \u0026amp; Sky\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0057\/8161\/8732\/files\/CH06_WaterandSky_480x480.jpg?v=1790255737\" alt=\"\" style=\"margin-bottom: 16px; float: none;\"\u003e\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003e \u003cbr\u003eTake It to Finish\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0057\/8161\/8732\/files\/CH07_TakeittoFinish_480x480.jpg?v=1790255758\" alt=\"\" style=\"float: none;\"\u003e\u003c\/div\u003e\n\u003ch3 style=\"margin-top: 14.0pt; mso-pagination: widow-orphan; page-break-after: auto;\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3 style=\"margin-top: 14.0pt; mso-pagination: widow-orphan; page-break-after: auto;\"\u003e\n\u003ca name=\"_eoue8x8zw2si\"\u003e\u003c\/a\u003e\u003cb\u003e\u003cspan lang=\"EN\" style=\"font-size: 13.0pt; line-height: 115%; color: black;\"\u003eEXTRAS Bonuses:\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cb\u003e\u003cspan lang=\"EN\"\u003eHigh-Speed View\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN\"\u003e of the demonstration painting for your learning convenience\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cb\u003e\u003cspan lang=\"EN\"\u003eExhibit of Works:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN\"\u003e Gallery of Scott’s paintings set to music for your creative inspiration\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cb\u003e\u003cspan lang=\"EN\"\u003eInsights from the Artist:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN\"\u003e Scott’s journey from physical therapy to plein air painting and the New Zealand encounter that changed his direction\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 12.0pt 0in 12.0pt 0in;\"\u003e\u003cspan lang=\"EN\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Scott Hamill","offers":[{"title":"Streaming","offer_id":50298732740865,"sku":"purple_c0epGQgjgsPq1aS2","price":97.97,"currency_code":"USD","in_stock":true},{"title":"DVD","offer_id":50298732806401,"sku":"DSH2","price":97.97,"currency_code":"USD","in_stock":true},{"title":"Streaming + DVD","offer_id":50298733068545,"sku":"purple_c0epGQgjgsPq1aS2","price":127.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0057\/8161\/8732\/files\/Hamill2-PaintMountainsWithEnergy-2D.jpg?v=1790015962","url":"https:\/\/painttube.tv\/products\/scott-hamill-paint-mountains-with-energy-subhead-new-zealands-southern-alps-in-oil-or-a-new-zealand-landscape-in-oil","provider":"PaintTube.tv","version":"1.0","type":"link"}