Anne Bagby

Anne Bagby Combo Set

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Format
Video Length: 3 Hours 25 Minutes

This Combo Set Includes 2 Anne Bagby Instructional Videos.

 


Collage: Paper, Patterns & Glazing


Put pattern to work with mixed media artist Anne Bagby.

In this video workshop you'll learn to create your own stamps, masks, stencils, and paper as you build a truly customized collage.

Work fast and free, layering homemade paper and lush acrylic glazes to design an intricate and eclectic figure. Anne makes all her own collage materials. She combines stamped and painted patterns to create the wafer-thin paper she uses throughout the workshop.

You'll transfer antique designs to hand-carved stamps and cut contact paper masks to guide custom stencils. Anne uses an experimental process, working simultaneously on five figures. She takes risks with the weakest, using the freedom of collage to find creative solutions. You'll quickly build shapes with paper and slowly unify them with controlled glazes.

You'll create your own stamps, masks, stencils, and paper as you build a truly customized collage. Work fast and free, layering homemade paper and lush acrylic glazes to design an intricate and eclectic figure.

Anne makes all her own collage materials. She combines stamped and painted patterns to create the wafer-thin paper she uses throughout the workshop. You'll transfer antique designs to hand-carved stamps and cut contact paper masks to guide custom stencils.

Anne uses an experimental process, working simultaneously on five figures. She takes risks with the weakest, using the freedom of collage to find creative solutions. You'll quickly build shapes with paper and slowly unify them with controlled glazes.

Start from scratch and end with an elegant figure in Collage: Paper, Patterns, and Glazing with Anne Bagby.



 

BONUS CLIP: Contact Paper Masks

In this clip from her video workshop, Collage: Paper, Pattern & Glazing, mixed media artist Anne Bagby cuts transparent masks to protect her figure painting. With the masks in place, Anne can easily stencil or stamp patterns that conform to the figure shape.



 

Pattern & Form: Advanced Collage Techniques

With Anne Bagby's forward-thinking, experimental approach to mixed media, you never get stuck in a rut. 

Anne always sees room for improvement, and in this advanced collage workshop, you learn dozens of ways to refine your compositions.

You print custom paper, master essential patterns, and use drawing, glazing, and stenciling techniques to create stunning figure designs. Anne teaches you to mix subtle, harmonious colors from your aggressively bright professional paints. She builds collages from one-of-a-kind, hand-printed papers, and she grounds her work in a deep understanding of pattern. You learn to stamp, comb, sponge, and roll designs based on classic stripes and contemporary letter forms.

Anne teaches you to be fearless about modifying, cropping, cutting, and combining the papers and figures you create. You harmonize collage elements and solve design problems with glazing, and you add detail with hand-cut and store-bought stencils. Anne teaches you to evaluate faces in photos and shares her tips for drawing figures. She mixes and matches sketches with custom papers to discover the perfect collage composition. You use glazes, opaque paints, and masking to bring your design into focus. Push yourself beyond mixed media basics in Pattern and Form: Advanced Collage Techniques with Anne Bagby.

 

BONUS CLIP: Cutting Paper Stripes for Collage

In this demonstration, mixed media artist Anne Bagby cuts thin stipes from her hand-printed papers to create new elements for collage backgrounds. Anne uses a rotary cutter and a quilter's cutting guide to create thin, even stripes she can glue to her backgrounds with acrylic medium. You can adapt techniques for working with fabric to your collage papers, as long as you keep your paper thin.


 

About Anne Bagby
Anne employs a combination of printmaking and painting, with layers of color, glaze, texture and pattern. Her paintings play with the boundaries between design and texture. Her work is deliberately formal and beautiful. The quilt tradition, oriental rugs, and the kaleidoscope inspire the fabric-like look, the lack of volume and deep space and the use of multiple images. In her paintings the edges are firm and significant, but the surface is her primary concern. Layers of glaze over layers of pattern, over collage and stitching: color, shape, texture and the human face. Anne's paintings are concerned with the relationships we have with the world and with ourselves and with who we want the world to think we are. These are the surfaces she paints.