{"product_id":"oliver-sin-bundle-deal","title":"Oliver Sin Bundle Deal","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003ePortrait Drawing Simplified\u003c\/h1\u003e\n\u003cdiv class=\"video-container\"\u003e\u003ciframe width=\"500\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/OzKgvCRI9Oc\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt;\"\u003eIn \u003cb\u003ePortrait Drawing Simplified\u003c\/b\u003e, Oliver Sin freely shares what he has learned in his many years of study through school, college, the movie industry, and in his professional teaching career to help you advance your skill at an incredibly quick rate.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt;\"\u003eOliver will show you how to overcome your struggles with portraits and he’ll demonstrate exactly how to avoid common mistakes. He’ll lead you to remember why you wanted to try portrait work in the first place by bringing you back to the fun of it all. \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt;\"\u003eAmong many achievements and awards, Oliver has had his beautiful, captivating portraits featured on the cover of \u003ci\u003eTime Magazine, \u003c\/i\u003etwice! He also worked for George Lucas as a concept artist before moving on to an incredibly successful teaching career that spanned 20 years.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt;\"\u003eIf you’ve ever had any desire at all to create breathtaking portraits, don’t pass up this rare opportunity to learn from Oliver Sin.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt;\"\u003eIf you’ve tried portraits and you’re unhappy with the results, you’ll find Oliver to be a great encouragement. He openly admits his own failures and what he’s done to rectify them. This alone will slice years off of your own learning and practice curve.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt;\"\u003eTrust us when we say that Oliver Sin has many things to teach you and you don’t want to pass up an opportunity to learn from him. You’re sure to see amazing results when you incorporate Oliver’s techniques into your own portrait drawings.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChapter Outline\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eMaterials \u0026amp; Tools–brief review of vine charcoal and other drawing tools\u003c\/li\u003e\n\u003cli\u003eHead Drawing vs. Portrait Drawing:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDemonstration 1: Head in Profile\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHead in Profile: Proportions\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eBrief review of how to see and capture the accurate proportions of the head and face using a photo of a woman in profile for reference.\u003c\/li\u003e\n\u003cli\u003eFOR BEGINNERS– Oliver recommends starting with a profile drawing before tackling any other view of the head. \u003c\/li\u003e\n\u003cli\u003eLearn how to hold and use vine charcoal and WHY PROFESSIONAL ARTISTS use this as a tool when laying in the construction of the head\u003c\/li\u003e\n\u003cli\u003eTIP to use contour lines to draw so your portrait is MORE ORGANIC, LESS CARTOONY\u003c\/li\u003e\n\u003cli\u003eHow to see and draw ACCURATE ANGLES\u003c\/li\u003e\n\u003cli\u003eHow to hold your “measuring tool” (Oliver uses a brush handle) for best results \u003c\/li\u003e\n\u003cli\u003eTIPS on Standard proportional guidelines (using Andrew Loomis’ guidelines)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eHead in Profile: Initial Shapes \u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eDiscuss what a shape is–a closed contour, and the importance of seeing shape\u003c\/li\u003e\n\u003cli\u003eOrganic vs Geometric shapes, and how the face has many geometric shapes\u003c\/li\u003e\n\u003cli\u003eDiscuss the importance of accuracy of “shape” in order to get the likeness of models\u003c\/li\u003e\n\u003cli\u003eOliver Demonstrates how to draw a very basic profile of a woman from a photo using “shapes” drawn onto the proportional guidelines he drew in previous chapter\u003c\/li\u003e\n\u003cli\u003eThe more sketching lines you use here at this shape-making stage of a head drawing, the better–will help you get accurate\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eHead in Profile: Accurate Shapes\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eContinue the profile drawing along with Oliver and learn step by step TIPS for drawing with accuracy\u003c\/li\u003e\n\u003cli\u003eWhy it's OK TO TRACE–Oliver encourages his students to learn by tracing\u003c\/li\u003e\n\u003cli\u003eThink of it as a Stepping Stone to better drawing\u003c\/li\u003e\n\u003cli\u003eUse your tracing to then look at your sketch and see where your Initial Shape drawing needs improvement\u003c\/li\u003e\n\u003cli\u003eTurn the reference and your drawing UPSIDE DOWN – the second pass at finding accurate shapes\u003c\/li\u003e\n\u003cli\u003eBy the end of this chapter you will have a BLUEPRINT for the rest of your drawing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eHead in Profile: Planes of the Head\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eUsing a John Asaro model of the head, Oliver explains and draws the plane changes on his profile shape drawing\u003c\/li\u003e\n\u003cli\u003eACCURACY of Shape and PLANE CHANGE are most important part for new portrait artists\u003c\/li\u003e\n\u003cli\u003ePlane changes are smaller shapes of the head \/ face that will give even more accuracy to your portrait drawings\u003c\/li\u003e\n\u003cli\u003eLearn The ONE PLANE CHANGE BEGINNERS MISS and how to make sure you don’t\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDemonstration 2: Head in ¾-View\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHead in ¾-View: Proportions\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eOnce you draw a profile view, you are ready for this MORE COMPLICATED pose\u003c\/li\u003e\n\u003cli\u003eOliver reminds us to OBSERVE THE MODEL FIRST before drawing\u003c\/li\u003e\n\u003cli\u003eHe reviews this pose and the IDEAL LIGHTING to use to give most contrast to the features\u003c\/li\u003e\n\u003cli\u003eOliver reviews the GESTURE of this pose–the tilts and angles that you need to observe so you can capture them accurately\u003c\/li\u003e\n\u003cli\u003eLearn what PAPER is best to use to capture the the texture of the hair\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eHead in ¾-View: Initial Shapes\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eOliver Demonstrates how to draw a the initial shapes onto the proportional guidelines of the ¾ view of the man he drew in previous chapter \u003c\/li\u003e\n\u003cli\u003eReminders to focus on shape of HAIR versus lines and individual hair\u003c\/li\u003e\n\u003cli\u003eAccuracy of shapes will make or break your drawing\u003c\/li\u003e\n\u003cli\u003eHow to AVOID a FLOATING HEAD portrait\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eHead in ¾-View: Accurate Shapes\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eContinue the ¾-view head drawing along with Oliver and Learn step by step TIPS for drawing with accuracy using the tracing paper technique we first tried in the profile demo\u003c\/li\u003e\n\u003cli\u003eLearn WHICH SHAPE is Key to a good drawing\u003c\/li\u003e\n\u003cli\u003eLearn how to see shapes ABSTRACTLY\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e“Details of a face are just a Spot on an Apple\u003c\/em\u003e” – aka, details are not important\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eHead in ¾-View: Planes of the Head\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eUsing the John Asaro model we were introduced to in the previous demonstration of the profile, Oliver explains and draws the plane changes on his ¾-view head shape drawing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eHead in ¾-View: The Final Blueprint\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eThe 5th pass to make sure your shapes and drawing are as accurate as can be\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eHead in ¾-View: Render the Values\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eHow to hold the charcoal as you add value shape by shape\u003c\/li\u003e\n\u003cli\u003eWhy it is IMPERATIVE to use the same stick of charcoal for the entire value rendering stage (oliver recommends finding a nice long piece and breaking into 1-inch smaller pieces so ALL your values come from the same stick\u003c\/li\u003e\n\u003cli\u003eLearn How to render the head with the 5-VALUE SYSTEM” using vine charcoal \u003c\/li\u003e\n\u003cli\u003eTips on what to watch out for such as “the side plane of the nose is very narrow,” and “don't worry about the highlights yet,” learn how to make corrections if needed, etc.\u003c\/li\u003e\n\u003cli\u003eHow to achieve the darkest darks, easily remove charcoal, and when it’s okay to blend and when you should not\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eHead in ¾-View:Develop the Values of the Face\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eDeepen shadows–how to AVOID CHALKY BRUSHSTROKE\u003cem\u003e (oliver refers to his vine charcoal application as a brushstroke even though he is using charcoal without a brush)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eIt’s never too dark\u003c\/li\u003e\n\u003cli\u003eThe ONLY time its ok to use a contour LINE, versus laying down value as shape\u003c\/li\u003e\n\u003cli\u003eYour FINGER as an eraser\u003c\/li\u003e\n\u003cli\u003eKneaded eraser to remove highlight shapes\u003c\/li\u003e\n\u003cli\u003eRendering is all about the RELATIONSHIP of the values\u003c\/li\u003e\n\u003cli\u003eSQUINT\u003c\/li\u003e\n\u003cli\u003ePATIENCE, PATIENCE, PATIENCE\u003c\/li\u003e\n\u003cli\u003eSTEP BACK\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eHead in ¾-View: Develop the Values of the Facial Hair\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eWhen it's OK to EXAGGERATE\u003c\/li\u003e\n\u003cli\u003eTIPS for drawing realistic Facial hair\u003c\/li\u003e\n\u003cli\u003eAN UNEXPECTED TOOL you need to draw facial hair\u003c\/li\u003e\n\u003cli\u003eWhen to add WRINKLES and how\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eHead in ¾-View: Push the Darks \u0026amp; Lights\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eRemember to use CROSS HATCHING to avoid chalky darks\u003c\/li\u003e\n\u003cli\u003eDevelop the ear\u003c\/li\u003e\n\u003cli\u003eTips to Create the ROUNDNESS of the eye\u003c\/li\u003e\n\u003cli\u003eStart highlighting the hair\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eHead in ¾-View: Redefine the Face\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eAdjust value relationships: Redefine darks and bring up lights\u003c\/li\u003e\n\u003cli\u003ePay attention to plane changes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eHead in ¾-View: Final Adjustments\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eLoose, soft impression of facial hair\u003c\/li\u003e\n\u003cli\u003eLearn how to keep hair EXPRESSIVE versus drawing every strand\u003c\/li\u003e\n\u003cli\u003eTRICKS to give the beard realistic volume\u003c\/li\u003e\n\u003cli\u003eWhy only 15% of your edges should be hard–where those need to go and why\u003c\/li\u003e\n\u003cli\u003eWhen to add FIXATIF and why\/how\/where\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eHead in ¾-View: Add Dark Accents\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eWHEN and Where to put these and WHY\u003c\/li\u003e\n\u003cli\u003eWhat you need to do BEFORE you add Dark Accents \u003c\/li\u003e\n\u003cli\u003eHow to AVOID a LONELY ACCENT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eAs a passionate art educator, I’d like to dedicate this video to the many students whom I have taught, but also have learned from. I have tried to teach students what I know, but students have opened my eyes to what I wouldn’t have otherwise seen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003eClassical Portrait Drawing Simplified\u003c\/h1\u003e\n\u003cdiv class=\"video-container\"\u003e\u003ciframe width=\"500\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/6bbGpK2CdWw\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"video-container\"\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt;\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\" style=\"mso-ansi-language: EN;\"\u003eDiscover Oliver Sin’s SIMPLIFIED Classical Portrait Approach and Start Drawing Like the Renaissance Masters!\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt;\"\u003e\u003cspan lang=\"EN\" style=\"mso-ansi-language: EN;\"\u003eTransform your portrait drawing with Oliver Sin’s “Analyze-First Approach.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt;\"\u003e\u003cspan lang=\"EN\" style=\"mso-ansi-language: EN;\"\u003eThis brilliant approach helps artists create classical portraits with depth and dimension in hours instead of days.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt;\"\u003e\u003cspan lang=\"EN\" style=\"mso-ansi-language: EN;\"\u003eIn this comprehensive course, award-winning artist Oliver Sin shares his unique method for portrait drawing that emphasizes understanding before rendering. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt;\"\u003e\u003cspan lang=\"EN\" style=\"mso-ansi-language: EN;\"\u003eYou'll learn how to analyze shapes, planes, and structure before putting pencil to paper — the crucial first step that separates master portrait artists from everyone else. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt;\"\u003e\u003cspan lang=\"EN\" style=\"mso-ansi-language: EN;\"\u003eOliver guides you through a structured, step-by-step approach rooted in classical techniques, making this traditional medium accessible to artists of all levels.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eYou’ll also discover:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-left: .5in; text-indent: -.25in; mso-list: l0 level1 lfo3;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan lang=\"EN\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e-\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003eHow to apply Renaissance techniques of sfumato and chiaroscuro to create portraits with soft, natural edges and powerful light and shadow…\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN\"\u003e\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-left: .5in; text-indent: -.25in; mso-list: l0 level1 lfo3;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan lang=\"EN\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e-\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan lang=\"EN\"\u003eA thorough study of head anatomy, beginning with the structure of the skull, the underlying musculature, and the simplified planes of the head\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-left: .5in; text-indent: -.25in; mso-list: l0 level1 lfo3;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan lang=\"EN\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e-\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003eHow to analyze your subject’s features like a surgeon to guarantee your portrait’s success…\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN\"\u003e\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-left: .5in; text-indent: -.25in; mso-list: l0 level1 lfo3;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan lang=\"EN\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e-\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan lang=\"EN\"\u003eTechniques for rendering challenging areas like hair and creating soft edges that bring your portraits to life…\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-left: .5in; text-indent: -.25in; mso-list: l0 level1 lfo3;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan lang=\"EN\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e-\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003e…\u003ci style=\"mso-bidi-font-style: normal;\"\u003eand so many more incredible insights!\u003c\/i\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eA First Place winner in Drawing at the Portrait Society of America’s International Art Competition, Oliver Sin brings 24 years of teaching experience to this course, distilled into a clear, accessible process.\u003c\/span\u003e\u003cspan lang=\"EN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eThis is your chance to learn from a true master of his craft!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 15.0pt; line-height: 115%;\" lang=\"EN\"\u003eWhat You’ll Discover Inside:\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003eThe counterintuitive “Analyze-First” approach that transforms portrait drawing from a frustrating guessing game into a clear, structured process producing remarkable results in a fraction of the time...\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eThe Renaissance secret of \u003ci style=\"mso-bidi-font-style: normal;\"\u003esfumato\u003c\/i\u003e (Italian for “smoke-like”) that creates soft, blurred edges without hard outlines — the same technique Leonardo da Vinci used to create portraits with natural, dimensional qualities…\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003eWhy focusing on features instead of shapes keeps most artists trapped in a cycle of disappointment — and the simple shift in perception that instantly improves your portraits’ dimension and character…\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN\"\u003eThe surprising role of toned paper as an active participant in your portrait that unifies your drawing while saving significant time and effort… and how to use sepia and white pencils for masterly effects\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan lang=\"EN\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003eThe often-overlooked preparation step that \u003cu\u003ecreates precision and control\u003c\/u\u003e that transform your drawing experience; most art courses ignore this, but Oliver considers it essential...\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN\"\u003eThe exact three-step “Shape-Planes-Structure” method that builds portraits from fundamental forms to finished details — creating a solid foundation that eliminates guesswork and produces consistent results…\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003eA precise technique for rendering hair that solves one of the biggest challenges for portrait artists — capturing the organic flow and dimensional quality without creating flat, lifeless strands...\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN\"\u003eThe specific “Look five times, draw once” methodology that dramatically reduces mistakes and corrections — saving you hours of frustration while creating more accurate, confident portraits…\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003eA step-by-step approach to analyzing faces before drawing that identifies the essential shapes, planes, and structures most artists miss — creating portraits with professional-level dimension and character…\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN\"\u003eThe detailed process for creating soft edges for lips without the hard outlines that instantly mark a portrait as amateurish — a subtle technique that significantly elevates the quality of your work...\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003eWhy turning your reference and drawing upside down reveals shape errors you’d never notice right side up — and how this simple technique can transform the accuracy of your portraits almost immediately...\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN\"\u003eWhat Oliver discovered after 24 years of teaching thousands of students that separates those who create dimensional, lifelike portraits from those who struggle with flat, lifeless results (hint: it happens before pencil touches paper)...\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003eThe counterintuitive truth about the white of the eye in portrait drawing that surprises even experienced artists — and how understanding this principle transforms the realism of your portraits...\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN\"\u003eThe one plane most students forget when drawing faces that’s absolutely crucial for accuracy — once you know it, you’ll never make this common mistake again…\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003eWhy Oliver recommends modifying your sketch three to five times before proceeding to the next stage — and how this seemingly time-consuming step actually saves hours while dramatically improving results...\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN\"\u003eMaster the classical techniques of sfumato and chiaroscuro to create portraits with soft, smoke-like edges and powerful light and shadow — the same approaches used by Renaissance masters...\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003eLearn to see and draw accurate shapes and planes rather than just features — developing the fundamental skill that separates master portrait artists from everyone else...\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN\"\u003eDevelop the ability to analyze poses before drawing — Oliver’s No. 1 recommendation for portrait drawing success and a skill most art instruction completely overlooks...\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003ePLUS: Discover how to use lost and found edges to create visual interest and dimensional quality — allowing some edges to disappear into shadow while others remain defined…\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN\"\u003e…\u003c\/span\u003e\u003c\/b\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN\"\u003eand so much more!\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Oliver Sin","offers":[{"title":"Default Title","offer_id":50164184711425,"sku":"OS-BUNDLE","price":236.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0057\/8161\/8732\/files\/Oliver-Sin-bundle.png?v=1786122975","url":"https:\/\/painttube.tv\/en-ca\/products\/oliver-sin-bundle-deal","provider":"PaintTube.tv","version":"1.0","type":"link"}