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How to use the "flipping" technique to draw attention to the focal point of your painting
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Why Michele keeps a certain tool in her backpack all the time
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An easy way to make any people you paint "pop" from the canvas
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What to do the day after you finish painting (in fact, doing this could be the difference between a "good" painting … and an almost flawless one)
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What to do if you've always wanted to include people in your paintings but you're too afraid you won't get it rightThe perfect color to bring any flowers you paint to life
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A "foolproof" way of making sure nothing in your painting jumps out for the wrong reasons (anyone can do this, yet most don't)
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Michele explains why certain aspects of her paintings sometimes look "forced" (but don't worry, she also tells you what she does to make the magic happen)
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How Michele likes to paint shadows
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The nine specific, most important colors Michele uses on her palette
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Why letting the paint "take control" can make certain aspects of your work look more interesting
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How to improve your brush paintings with a palette knife
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A fascinating way to make "light" whites
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A fascinating way to make "warm" whites
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A HUGE mistake a lot of artists make when drawing a person's head
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How to get your painting looking more unified
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Michele's powerful advice on how to make "people look like people" (Hint: It's to do with body language)
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What Michele accidentally learned on a trip to Paris that helped her become a better painter
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A "silly little thing" Michele does toward the end of her painting that makes it look even better than before (YOUR skills as a painter will improve right away if you also pay this much attention to detail)
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One thing you have to be careful of when using a palette knife (even though palette knives can be a massive help, you must watch out for this)
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Plus a whole bunch more, including:
Michele typically starts a painting of people … the surprising effect leaving some blank canvas showing has on the outcome of your work … and even a "ninja" way of making people appear in your paintings WITHOUT actually painting them.